Richard Allman

Richard studied painting at Central School in London 1968-71 (working on large abstract colour field paintings) before moving to Plymouth in 1976.

Since then he finds images by looking around the environment, especially urban regeneration, and events such as the installation of the Messenger sculpture outside Plymouth Theatre Royal – with a definite graphic approach.  Bold Indian ink line features in very big drawings, as well as high contract charcoal.

Demolition and construction regularly interest him, from schemes in Plymouth to the destruction of homes in the recent Syrian war.  Recently he has developed a series based on the Dazzle concepts of WW1 shipping, where strong black and white pattern and shape break up identifiable form.

Client Testimonials

We spent some time looking for someone who could produce some solid wooden frames to mount our medals in. James, listened carefully to what we wanted and made us the exact high-quality frame we needed. Since then, we re-order every couple of weeks including some complex bespoke frames. We have been working together for about 10 years and I couldn’t recommend The Framing Centre highly enough.

Matthew Holland
Bigbury Mint

Artmill Gallery & Framing Centre are our go to framers for The Arts Institute, University of Plymouth. They have a particular empathy for artists requirements and always produce work to the highest quality. Many of our exhibiting artists have been so impressed with the outcome that they go on to use Artmill for all their work.

Dr Sarah Chapman, Artistic Director
The Arts Institute, University of Plymouth