Tim Gee

Ever since my first touch it was the tactile qualities of my work that have been of primary
importance, my recent return to college to study for my Masters has allowed me to explore this love of the tactile. My new work consists of a range of enclosed forms with textured exteriors, these extend from very smooth to extremely rugged, each exterior is paired with a glossy coloured interior. This is a range of work designed specifically to be caressed; touch and exploration is vital to the appreciation of the work.

All my work is wheel thrown and high fired porcelain with most of the glazes to my own recipe.

A member of the Devon Guild of Craftsmen, The Craft Potters Association, The Society of Designer Craftsmen and a selected maker with the CrafTIts Council.

I exhibit throughout Great Britain and abroad.

Feeling the love

We spent some time looking for someone who could produce some solid wooden frames to mount our medals in. James, listened carefully to what we wanted and made us the exact high-quality frame we needed. Since then, we re-order every couple of weeks including some complex bespoke frames. We have been working together for about 10 years and I couldn’t recommend The Framing Centre highly enough.

Matthew Holland
Bigbury Mint

Artmill Gallery & Framing Centre are our go to framers for The Arts Institute, University of Plymouth. They have a particular empathy for artists requirements and always produce work to the highest quality. Many of our exhibiting artists have been so impressed with the outcome that they go on to use Artmill for all their work.

Dr Sarah Chapman, Artistic Director
The Arts Institute, University of Plymouth